MARCH 19 / 8:00PM
21+ / $8 Advance
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Nectar Presents:
School of Language
- Hanne Hukkelberg
- Half Acre Day
School of Language
In April 2007, Sunderland trio Field Music announced in a round-a-bout way that they were clearing their diary of all band activity in the hope that a change of situation and expectation might help them to become as productive as they‘d always hoped they would be. They tried to make it known that they had no intention of splitting up in the acknowledged sense, but would instead use Field Music (as a group of people, a company, a way of working) as a tool to help the three core members, individually and collectively, to get creative and produce more and better music, expanding on the ideas hinted at in their two and half critically-acclaimed albums; 2007‘s Tones of Town, Write Your Own History, a collection of b-sides and early feet-finding released in 2006, and 2005‘s eponymous debut.
Since Field Music‘s final tour of the US last March, David Brewis has been busily piecing together this first School of Language record, which can perhaps be seen as the first test of the above proposition. Primarily recorded by David alone and consciously susceptible to the cut-and-paste, multi-tasking tangents induced by laptop recording, these constructions are resolutely un-band-like, veering between the intricate and unplayable and the solitary and unadorned, their cohesion stemming from an embrace of all that is most obtuse and personal.
The album is bookended by the quartet of ‘Rockist‘ tracks, a series of daydreams on words, their meanings and the decisions which follow from them, all underpinned by a collection of incessant looped voices.
With a working title of SHIPS, the new album can, in some ways, be seen as a companion piece to Tones of Town but where that record was preoccupied with the choices resulting from questions of time and place, here time is tied to people - often because of their absence, but at other times because their closeness is what rejuvenates us.
Adding a collaborative presence, SHIPS features one or two cameo appearances from David‘s hometown friends. Barry Hyde of the Futureheads plays guitar and sings on Disappointment ‘99, while the same band‘s David Craig, sings Disappointment and on Extended Holiday, along with former star of Kenickie and Rosita, Marie Nixon and their friend Sarah McKeown. School of Language‘s live appearances, however, have thus far been completely solo - a one man and his guitar performance about as far removed from the current crop of anodyne singer-songwriters as it‘s possible to be. These sporadic live shows have been witness to solo re-readings of the occasional Field Music song, and of long-lost songs from David‘s previous recording foray as the New Tellers.
Hanne Hukkelberg
Norwegian singer Hanne Hukkelberg's 2005 debut album Little Things was a charming impression of life in Oslo, notable for its imaginative use of found sounds and eclectic array of instrumentation. Her elfin but idiosyncratic persona coupled with a lazily seductive voice drew comparisons to everyone from Joanna Newsom and Björk, to Stina Nordenstam and Billie Holliday.
Her sophomore album Rykestrasse 68, her first since signing to Canadian label Nettwerk, is a tribute to the six months she recently spent living in Berlin and is far less whimsical, with a moodier, more widescreen production. Like her debut, it was produced by Kåre Vestrheim at Propeller Studios in Oslo and features contributions from the cream of the Norwegian music scene, including members of Jaga Jazzist, Dinosau and Shining.
While it shares its predecessor's wide-eyed wonderment, Hukkelberg's experimentation reaches maturity here. The album is awash with inventive flourishes, with rhythm tracks constructed from the clacking of typewriters, kitchen utensils, a cat purring or the spinning of a bicycle wheel. Producer Vestrheim melds vibes, glockenspiel and theremin with wheezing brass and sonorous strings, giving the album a wonderfully creaky ambience akin to Emiliana Torrini, Múm and even Tom Waits.
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